The Brilliance of Title Sequences for your Church
by Paul Prins at 2:20 pm
Little of us know the extent to which the work of men like Saul Bass (a personal hero of mine) have had on the visual language the world around us speaks. Saul was the first to use moving title sequences in film. Today these sequences have come light years from the early roots.
Title sequences can be great for video announcements or promotions, and for creating clean, simple, and easy to understand flash animations for a church website.
The top five title sequences of the year according to the NY Times are:
- “WALL-E,” Susan Bradley and Jim Capobianco/Pixar. These poignant end titles, which show humans and robots flourishing on a revived Earth, offer a quick history of art, from cave paintings to van Gogh. They then proceed to retell the entire movie, this time in the pixelated style of old video games.
- “Tropic Thunder,” Kyle Cooper/Prologue. These titles feature Tom Cruise’s best performance in years as he dances to “Get Back” by Ludacris. They’re intercut with graphic freeze-frames of the rest of the cast.
- “Slumdog Millionaire,” Matt Curtis. Another dance sequence, this one in grand Bollywood style. After a film full of difficult and sad struggles, this joyous, cathartic sequence, set to “Jai Ho” by A. R. Rahman, gives us hope that the main characters will actually live happily ever after.
- “Iron Man,” Danny Yount/Prologue. Amazing in a comic-book way, these take us inside the blueprints for Tony Stark’s armor. The soundtrack, appropriately, unavoidably, is “Iron Man” by Black Sabbath.
- “Mamma Mia!,” Matt Curtis. The end titles toss off the pretense of winding a story around the songs and give us a straight-up, super-’70s tribute, complete with glitzy rainbow prism effects and Meryl Streep singing her heart out.
(via NY Times and Visual Culture)
